Wiley 978-0-471-77986-5 Datasheet

Browse online or download Datasheet for Software manuals Wiley 978-0-471-77986-5. Wiley Color Correction For Digital Photographers Only User Manual

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NUMBERS
8-bit images. See also JPEG format
converting to 16-bit images, 114–115, 137
overview, 12
remapping the white point for, 113–114
1-bit line art, printing, 366
16-bit images
converting 8-bit images to, 114–115, 137
overview, 12
12-bit images, 12
A
Abbott, Berenice (photographer), 284
Absolute Colorimetric color conversion, 37, 38
ACE (Adobe Color Engine), 36–37
ACR-Calibrator script, 259–261
Actions
palette group for, creating, 7
playing, 7–8
for resizing images, creating, 6–7
Adams, Ansel (photographer), 4, 340
adjustment layers. See also blend modes
for converting color to grayscale, 288–295
for Hue/Saturation changes, 162
for increasing contrast, 103, 105
layer masks, 25, 291
for Levels dialog box, 244
for overexposure color correction, 151, 153, 154
overview, 24–25
Photo Filter, 318, 319
for selection masks, 162
for white balance correction, 147, 244
Adobe Bridge
auto launching from Photoshop, 75–76
batch processing Camera Raw settings, 84–85
color settings adjustments in, 19
converting Camera Raw to DNG using, 53–55
setting Camera Raw preferences, 58–60
setting preferences for, 55–58
tooltips, 55
Adobe Camera Raw For Digital Photographers Only
(Sheppard), 46
Adobe Color Engine (ACE), 36–37
Adobe Gamma calibration tool, 31–32
Adobe Open dialog box, 72–74
Adobe RGB (1998) color working profile, 17–18
aerial photography
basic edits, 177–179
colorcasts common to, 177–178
haze and, 176, 179
problems common to other shots, 176
screen view and, 180
sharpening, 179–182
alpha channel
creating with Calculations dialog box, 193
for high-key images, 302–305
Lens Blur filter with, 330, 334
antialiasing filter, moiré patterns from, 263
Apple CMM color engine, 37
Apple Color Sync color engine, 37
Apply Image command
multiple duplicate layers technique with, 210–212
Screen mode with, 210–211, 214, 322
Arbus, Diane (photographer), 140
archiving files, format for, 52
artifacts, eliminating, 135–136
Assign Profile dialog box, 20–21
assuming a profile, 36, 39–40
Auto Color Corrections dialog box, 98
B
batch processing, 84–85
Bicubic resampling mode, 8
Bicubic Sharper resampling mode, 9
Bicubic Smoother resampling mode, 9
Bilinear resampling mode, 8
bit depth. See also specific bit depths
Camera Raw versus JPEG and, 48–49
for editing Camera Raw files, 60
overview, 12
Shadow/Highlight command and, 116
black point. See white and black points
black-and-white photos. See also converting color to
grayscale
color mode for printing, 314
colorizing, 306–313
high-key darkroom techniques for, 302–305
negatives, copying, 271–273
1-bit line art, 366
printing, 314, 364–366, 376
shooting infrared photography, 297–298, 314
simulating an infrared shot, 298–301
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COPYRIGHTED MATERIAL
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Summary of Contents

Page 1 - COPYRIGHTED MATERIAL

indexNUMBERS8-bit images. See also JPEG formatconverting to 16-bit images, 114–115, 137overview, 12remapping the white point for, 113–1141-bit line ar

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390Indextonal adjustments (continued)for JPEG images, 113–115Photo Filters for, 319–324for photos taken with insufficient flash, 213–217setting white

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382Indexblend modes. See also specific modesfor eliminating artifacts, 136for improving dynamic range, 13–14Mason Pat Pending Mixed Mode Image Save,21

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383Indexcolor modes. See also specific modesCMYK inks and, 376overview, 10–12preparing files for press, 367printers and, 26for printing black-and-whit

Page 8

384IndexDdepth of field, adding with Lens Blur filter, 333–336detailin Camera Raw dialog box, 72Camera Raw file preferences for, 60Camera Raw versus J

Page 9

385IndexGrayscale color mode, 11–12. See also converting colorto grayscaleGrayscale command, 284, 285, 291, 296grayscale gradient for color crossover

Page 10 - (continued)

386IndexKKelvin rating of lighting, 28LLab color modeconversion to grayscale using Lightness channel, 285overview, 11values for flesh tone gradient pi

Page 11

387Indexmotion blur, adding with Lens Blur filter, 333–336Multiply blend mode, 13–14, 322NNearest Neighbor resampling mode, 8near-infrared (NIR), 297n

Page 12

388Indexprimary colors, 140–141print copyingart prints, 253–255copy lighting correction mask for, 255–258photo prints, 252–253Print dialog box, 346, 3

Page 13

389IndexScreen blend modebrightness adjustment using, 214, 322in Mixed Mode Image Save, 210, 211selecting. See also selection masksadding/subtracting

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