Wiley 978-0-470-22457-1 Datasheet

contentsabout the author vcredits viiforeword ixacknowledgments xiintroduction xxiPart I Capture Workflow 1chapter 1 What are Raw Files Really About?

ContentsPentax Photo Browser/Laboratory . . . . . . . . . . . . . . . . . . . 341Sigma Photo Pro . . . . . . . . . . . . . . . . . . . . . . . . . . .

Contentschapter 2 Shoot RAW Right from the Start 17The Digital Darkroom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19Understanding th

Contentschapter 3 Color and RAW 43Good RAW is Good Color . . . . . . . . . . . . . . . . . . . . . . . . . . . 45Adobe RGB versus sRGB . . . . . . . .

ContentsPart II Camera Raw Workflow 69chapter 5 A Quick Look at Camera Raw Tools and Workflow 71Finding Your RAW Photos . . . . . . . . . . . . . . .

ContentsColor Adjustments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121Detail Adjustments – Sharpening . . . . . . . . . . . . . . .

ContentsDusk Light . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165Dusk interpreted . . . . . . . . . . . . . . . . . . . . .

ContentsSpecial Tabs of Camera Raw . . . . . . . . . . . . . . . . . . . . . . . . . 200Fixing Lens Problems . . . . . . . . . . . . . . . . . . . . .

Contentschapter 12 Black-and-White Processing 253Camera Raw or Photoshop for Black-and-White . . . . . . . . . . . . . . 254Camera Raw does Black-and-

ContentsDouble Processing for Color and Tonal Range Techniques . . . . . . . . 301Two-Shot Processing . . . . . . . . . . . . . . . . . . . . . . . .